Self publish your scripts: Free to you and many benefits

UPDATED: June 7, 2019

There are several web sites on the internet which allows anyone to turn his or her finished manuscript into an actual professional-looking publication. Years ago, I used a service which remain nameless to self publish my works for the stage. However, at some point that service stopped printing books so all the publications I arranged with it were no longer available.

After my mother died, my father in her honor set out to self publish a series of novels she had been writing for years titled The Songbird Series. He looked for online publication services as well and he came up with a couple; Lulu.com being one of them (Lulu.com has not paid me for mentioning their service).

But I when it was time to republish my stage titles, I looked at LuLu and found it offered everything I needed including cross marketing to Amazon and Barnes and Noble with ISBN (that unique barcode thing on the back of the book). So I started republishing my works, updated my prefaces or forwards, reformatted the play for Lulu’s specifications and started going to work.

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Now my father has a background in graphic design and some of that ability has bled over to me. So when I go to self publish, I do everything from cradle to grave. I reformat my manuscript taking into consideration blank pages behind the title page, the acknowledgements and the preface pages. I also change the page numbering to be at the bottom center position and only noting the Act number and page number (ex. I.3, II.65). I also end up going through the formatting and changing the page breaks, spacing, dialogue and exposition bleeds, etc.

Once I’ve created a new pdf to the new formatting per LuLu’s specifications, their website has you upload the file into your profile for that title. From there it determines how many pages you publishing will be and adjusts the thickness of the cover spine for the next step.

There is a cover tool available in LuLu and other sites, which walk you through creating a front and back cover with available templates. I however like total control of the graphic design, so I download their cover templates and drop them into Photoshop. In Photoshop I create the cover entirely.

Usually when I’m creating a cover, I’ll want some sort of eye catching royalty art. I obtain the images fitting for my covers from sites like shutterstock.com or istockphoto.com. Sometimes I will purchase a couple. With those sites, you can pay for a license to use the image for your publishing. I usually purchase the licenses for images replicated up to 500 times. I figure if one of my scripts hits it big and sells that many copies, then I’ll have generated enough revenue to warranty purchasing a larger license. Luckily, Lulu’s statistics helps you keep a running total of copies purchased and printed so you’ll know when you’re getting close to that limit.

My back covers include the same information. A small paragraph “about the author,” a small quote from a review of my works and my synopsis of that title. I always try to have the synopsis on the publication match the one I’ve written for the same title on my website for consistency, but sometimes space demands me to edit the synopsis down a bit. No harm in that. Just get it to the bones of the story.

If you have issues determining what should be in a synopsis, read my blog about the differences between a Treatment, Synopsis and TV Guide line.

Once my covers are created in Photoshop, I save the work per LuLu specs and upload the final file into LuLu’s cover tool. From there the site has you determine what information that title’s page will provide, then it has you determine the price. It really does a great job walking you through everything so you don’t forget anything.

The best thing about using these sites is, usually and in the case of LuLu, publishing is free. They only make money when you order copies and when you buy copies of your own works, the cost is minimal with discounts for bulk order of 15+ copies. It also asks if you want to mark up the price if someone NOT logged into your account purchases a copy(ies).

Now I don’t publish my non-produced stageplays for the purpose of selling copies. I do this for two main reasons.

One, if a theatre company decides to produce one of my works, I have links on my website for them to purchase copies for their cast readily available. I don’t have to come up with 10-12 copies of the manuscript and have that cost eat into my licensing and royalty revenue. I can simply email a manuscript if they wish and THEY can make as many copies as they want. However, as an actor, I always preferred something smaller to fit in my hand during rehearsals until I was “off book.”

Two, my published plays have a greater impact when I’m sending copies for production consideration than a manuscript. Again, manuscripts are big and bulky sometimes, while my 6″x9″ self published plays are easier to carry and read on the go. Also, with a nice sharp full color glossy cover (which I put together myself using Adobe Photoshop), it helps a producer or whomever visualize my work as having legitimate production value. I’m creating the perception of value.

so if you have a finished work you are submitting for production, think about self publishing online and using the printed publication as a promotional tool. I invite you to look into several publishing sites to figure out which one is the best fit for you.

#selfpublishing #promotionaltools

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